Monday, May 17, 2010

The Journey Through Hell


Often recognized as one of the greatest poets ever, Dante Alighieri was born in Florence In 1265. In his younger years Dante studied at home and at age 12 was betrothed to Gemma di Manetto Donati. Much of Dante’s early adult years were spent in politics, and he was also part of Guelph-Ghibelline conflict, and fought in the battle of Campaldino. This ultimately ended in his exile, at which time he wrote The Divine Comedy, which is a three part poem: Inferno, Purgatory, and Paradise. After writing The Divine Comedy, he died on September 14, 1321. Part one of the Divine Comedy, The Inferno, which is the most popular of the three, describes a pilgrim’s journey through hell, guided by the poet Virgil. In The Inferno, Dante uses a certain formula for the journey through the circles of hell. First each circle’s punishment parallels the sin committed. Second, as he journeys further into hell, the sins are represented as becoming more repulsive. And third, the further he journeys into hell, the less activity he finds.

In The Inferno, each sinner has a punishment that reflects his sin on earth. Expressing this point in Canto seven, Dante places the slothful under the mucky swamp where they are stuck for eternity, inhaling the mud and water, never being able to move because of their laziness on earth. Another example of this is the circle of the soothsayers, where Dante says, “And when my gaze moved down below their faces, I saw all were incredibly distorted, the chin was not above the chest, the neck was twisted--their faces looked down their backs; they had to move ahead by moving backward, for they never saw what was ahead of them” (Canto 20, Lines 10-15). Their faces were twisted around because they always tried to see and predict the future, and now they don’t even get to see what’s in front of them presently. One last example is Canto twenty-three, which contains the hypocrites, who are laden with such heavy garments they can barely walk. They wear these because they were so burdened with their lies on earth. By giving them exactly what they want, Dante has punished them by giving them such an excess of the sin that it shows how perverted it really is.

As the journey goes deeper into hell, Dante’s opinion about what sins are deserving of more punishment is shown. For example, the first group of sinners who are neither accepted by God or by hell are forced to run forever outside the gates of hell. Whereas, about halfway down are the suicides who are encased in trees and can only talk if a limb is broken and their blood spills out. Because they did not cherish their life on earth, they have no life in hell. The last circle of hell holds the traitors, which is interesting because of Dante’s political views and his war against the traitors to his country, which was the reason for his exile. Horribly tortured in ice are the traitors to their country, and finally Lucifer, the ultimate traitor and the king of hell, is found chewing on the worst sinners: Judas, Brutus, and Cassius. Obviously Dante had a certain contempt for traitors, which was probably due to his exile; his hell seems to be influenced by his personal experiences.

One interesting literary contrast is the difference between the first and last circles of hell. In the first circle of hell, Dante observes the indecisive sinners, who chose neither God nor Lucifer, running away from responsibility of choice. In hell they spend their time endlessly being chased by bees, literally having to run. Whereas, those who chose to directly oppose God, like Lucifer and Judas, are stuck, immobilized, and in Judas’s case being eaten eternally. Dante seems to find it worse to be trapped in one place, because as he travels deeper into hell the tortures become more immobile; for example traitors who are in the bottom of hell are frozen in ice.

Reading The Inferno reveals much of Dante’s thoughts on which sins should have a worse punishment, like the deepest circle of the traitors. He also hints that immobility is a more terrible thing than being tormented yet still having strength. In the end of The Inferno, Dante and his guide, Virgil, have gone through all hell literally and finally have to crawl down the leg of Satan to arrive in purgatory and continue their journey to heaven.

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