The Divine Comedy was written between 1308 and 1321, by Dante Alighieri. Originally in Italian, The Divine Comedy continues to be translated regularly. In Dante’s culture, when the vast majority of literature consisted of stuffy lovey-dovey poetry, Dante’s poems were a huge step forward. It was written in every day plain Italian for the everyday normal Joe, but it was about Hell. This was not what Florence was used to. Lasting 700 years, Dante’s story is gritty, graphic, violent, engaging, exciting, and deeply moving. It deals with matters of the human condition and is still completely relevant today.
Dante’s Divine Comedy has lasted for centuries because he knew how to tell a good story, and a good story is the best vehicle for ideas to travel from the page to the mind to the soul. What rings true in one heart and mind will ring true in hearts and minds around the world. Dante rings true. How do we explain the ways in which men sin and are reconciled again to God? We do this by telling stories. Another familiar word is parable. In Dante’s parable he tells of a man—himself— going through Hell so he can eventually reach heaven. He presents his story as a journey. Perhaps he wrote it this way because there is a universal theme that every person experiences in life, which is that good can come from bad situations. Through trials we grow stronger. Life comes from Death. In the play The Fantasticks, the narrator, El Gallo, says, “There is a curious paradox that no one can explain. Who understands the secret of the reaping of the grain? Who understands why spring is born out of winter’s laboring pain? Or why we must all die a bit before we can live again? I do not know the answer. I merely know it’s true.” Since The Divine Comedy is a journey, it must begin with the storms and hardships of Hell, so that the pilgrim can reach the harvest of heaven’s glory.
One unique device that the poet Dante uses in The Divine Comedy is to place himself in the story, making us feel as if it might have really happened. He makes himself the pilgrim on the journey—the one who experiences Hell. And we, in a sense, experience it with him. While traveling through the circles of Hell, observing the various realms of sinners, including the liars, the thieves, the lustful, the wrathful, and the hypocrites, it can be tempting to comfort ourselves with how evil those people are and feel proud that we don’t struggle with those sins, but it’s difficult not to see glimpses (sometimes more than glimpses) of ourselves in all of the sinners. But in contrast Dante also doesn’t let us forget that they are evil nasty sinners, and he is rebuked several times for pitying them. But sin is not to be pitied because as soon as we start making excuses for the sins of those condemned by God, we start making excuses for our own sin. Pitying those that God has chosen to condemn, we question God’s justice. This is what Dante does not let us do. We must hate sin. Because we are on the journey with Dante, seeing Hell through his eyes, we are also rebuked with him for pitying sin. Just like Dante, we must turn our own condemning finger on ourselves. Oh, me, condemned sinner. In his art, Dante helps us to see ourselves for who we are—sinners. Thankfully, he didn’t stop with the Inferno. This is a journey, and our destination is paradise.
As we travel through Hell it is curious and often surprising to discover who Dante the poet placed in Hell. A large percentage of the sinners in Hell are Catholic popes, who are mostly in the lowest realms of Hell. It’s ironic and a bit unsettling that those who are regarded as holy and good and who are supposedly God’s chosen leaders on earth are those we discover to be deep in Hell. As might be less surprising, we also meet many of Dante’s enemies in hell. There are those who hold the opinion that this is Dante’s spiteful revenge towards them, but another fact suggests otherwise. Dante also puts his friends in hell. A prime concept in The Inferno is that “good decent” people are in Hell right along with “nasty evil” people. In Dante’s story there are hundreds of popes in Hell, yet we know there are thieves in heaven. What’s the difference? Redeemed thieves. We don’t get to heaven by being nice respected people, but by being saved by grace. If the pilgrim Dante hadn’t “woke to find himself in a dark wood,” he also would be keeping company with these condemned in Hell eternally. The reason the pilgrim Dante is making the journey through Hell is so that he may be redeemed.
Great stories always last, because they are about who we are as human beings. Putting a mirror up to nature, they ask us to take a look at the world and at ourselves. They teach us what to love and what to hate. Not to love good people and hate bad people, because there is no such thing. There are only redeemed people and those who are not. When you find yourself in a dark wood, know that you have a journey through Hell ahead of you, so that you can reach paradise.
Monday, May 17, 2010
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