The Journey Through Hell

Often recognized as one of the greatest poets ever, Dante Alighieri was born in Florence In 1265. In his younger years Dante studied at home and at age 12 was betrothed to Gemma di Manetto Donati. Much of Dante’s early adult years were spent in politics, and he was also part of Guelph-Ghibelline conflict, and fought in the battle of Campaldino. This ultimately ended in his exile, at which time he wrote The Divine Comedy, which is a three part poem: Inferno, Purgatory, and Paradise. After writing The Divine Comedy, he died on September 14, 1321. Part one of the Divine Comedy, The Inferno, which is the most popular of the three, describes a pilgrim’s journey through hell, guided by the poet Virgil. In The Inferno, Dante uses a certain formula for the journey through the circles of hell. First each circle’s punishment parallels the sin committed. Second, as he journeys further into hell, the sins are represented as becoming more repulsive. And third, the further he journeys into hell, the less activity he finds.

In The Inferno, each sinner has a punishment that reflects his sin on earth. Expressing this point in Canto seven, Dante places the slothful under the mucky swamp where they are stuck for eternity, inhaling the mud and water, never being able to move because of their laziness on earth. Another example of this is the circle of the soothsayers, where Dante says, “And when my gaze moved down below their faces, I saw all were incredibly distorted, the chin was not above the chest, the neck was twisted--their faces looked down their backs; they had to move ahead by moving backward, for they never saw what was ahead of them” (Canto 20, Lines 10-15). Their faces were twisted around because they always tried to see and predict the future, and now they don’t even get to see what’s in front of them presently. One last example is Canto twenty-three, which contains the hypocrites, who are laden with such heavy garments they can barely walk. They wear these because they were so burdened with their lies on earth. By giving them exactly what they want, Dante has punished them by giving them such an excess of the sin that it shows how perverted it really is.

As the journey goes deeper into hell, Dante’s opinion about what sins are deserving of more punishment is shown. For example, the first group of sinners who are neither accepted by God or by hell are forced to run forever outside the gates of hell. Whereas, about halfway down are the suicides who are encased in trees and can only talk if a limb is broken and their blood spills out. Because they did not cherish their life on earth, they have no life in hell. The last circle of hell holds the traitors, which is interesting because of Dante’s political views and his war against the traitors to his country, which was the reason for his exile. Horribly tortured in ice are the traitors to their country, and finally Lucifer, the ultimate traitor and the king of hell, is found chewing on the worst sinners: Judas, Brutus, and Cassius. Obviously Dante had a certain contempt for traitors, which was probably due to his exile; his hell seems to be influenced by his personal experiences.

One interesting literary contrast is the difference between the first and last circles of hell. In the first circle of hell, Dante observes the indecisive sinners, who chose neither God nor Lucifer, running away from responsibility of choice. In hell they spend their time endlessly being chased by bees, literally having to run. Whereas, those who chose to directly oppose God, like Lucifer and Judas, are stuck, immobilized, and in Judas’s case being eaten eternally. Dante seems to find it worse to be trapped in one place, because as he travels deeper into hell the tortures become more immobile; for example traitors who are in the bottom of hell are frozen in ice.

Reading The Inferno reveals much of Dante’s thoughts on which sins should have a worse punishment, like the deepest circle of the traitors. He also hints that immobility is a more terrible thing than being tormented yet still having strength. In the end of The Inferno, Dante and his guide, Virgil, have gone through all hell literally and finally have to crawl down the leg of Satan to arrive in purgatory and continue their journey to heaven.

A Journey Through Hell

The Divine Comedy was written between 1308 and 1321, by Dante Alighieri. Originally in Italian, The Divine Comedy continues to be translated regularly. In Dante’s culture, when the vast majority of literature consisted of stuffy lovey-dovey poetry, Dante’s poems were a huge step forward. It was written in every day plain Italian for the everyday normal Joe, but it was about Hell. This was not what Florence was used to. Lasting 700 years, Dante’s story is gritty, graphic, violent, engaging, exciting, and deeply moving. It deals with matters of the human condition and is still completely relevant today.

Dante’s Divine Comedy has lasted for centuries because he knew how to tell a good story, and a good story is the best vehicle for ideas to travel from the page to the mind to the soul. What rings true in one heart and mind will ring true in hearts and minds around the world. Dante rings true. How do we explain the ways in which men sin and are reconciled again to God? We do this by telling stories. Another familiar word is parable. In Dante’s parable he tells of a man—himself— going through Hell so he can eventually reach heaven. He presents his story as a journey. Perhaps he wrote it this way because there is a universal theme that every person experiences in life, which is that good can come from bad situations. Through trials we grow stronger. Life comes from Death. In the play The Fantasticks, the narrator, El Gallo, says, “There is a curious paradox that no one can explain. Who understands the secret of the reaping of the grain? Who understands why spring is born out of winter’s laboring pain? Or why we must all die a bit before we can live again? I do not know the answer. I merely know it’s true.” Since The Divine Comedy is a journey, it must begin with the storms and hardships of Hell, so that the pilgrim can reach the harvest of heaven’s glory.

One unique device that the poet Dante uses in The Divine Comedy is to place himself in the story, making us feel as if it might have really happened. He makes himself the pilgrim on the journey—the one who experiences Hell. And we, in a sense, experience it with him. While traveling through the circles of Hell, observing the various realms of sinners, including the liars, the thieves, the lustful, the wrathful, and the hypocrites, it can be tempting to comfort ourselves with how evil those people are and feel proud that we don’t struggle with those sins, but it’s difficult not to see glimpses (sometimes more than glimpses) of ourselves in all of the sinners. But in contrast Dante also doesn’t let us forget that they are evil nasty sinners, and he is rebuked several times for pitying them. But sin is not to be pitied because as soon as we start making excuses for the sins of those condemned by God, we start making excuses for our own sin. Pitying those that God has chosen to condemn, we question God’s justice. This is what Dante does not let us do. We must hate sin. Because we are on the journey with Dante, seeing Hell through his eyes, we are also rebuked with him for pitying sin. Just like Dante, we must turn our own condemning finger on ourselves. Oh, me, condemned sinner. In his art, Dante helps us to see ourselves for who we are—sinners. Thankfully, he didn’t stop with the Inferno. This is a journey, and our destination is paradise.

As we travel through Hell it is curious and often surprising to discover who Dante the poet placed in Hell. A large percentage of the sinners in Hell are Catholic popes, who are mostly in the lowest realms of Hell. It’s ironic and a bit unsettling that those who are regarded as holy and good and who are supposedly God’s chosen leaders on earth are those we discover to be deep in Hell. As might be less surprising, we also meet many of Dante’s enemies in hell. There are those who hold the opinion that this is Dante’s spiteful revenge towards them, but another fact suggests otherwise. Dante also puts his friends in hell. A prime concept in The Inferno is that “good decent” people are in Hell right along with “nasty evil” people. In Dante’s story there are hundreds of popes in Hell, yet we know there are thieves in heaven. What’s the difference? Redeemed thieves. We don’t get to heaven by being nice respected people, but by being saved by grace. If the pilgrim Dante hadn’t “woke to find himself in a dark wood,” he also would be keeping company with these condemned in Hell eternally. The reason the pilgrim Dante is making the journey through Hell is so that he may be redeemed.

Great stories always last, because they are about who we are as human beings. Putting a mirror up to nature, they ask us to take a look at the world and at ourselves. They teach us what to love and what to hate. Not to love good people and hate bad people, because there is no such thing. There are only redeemed people and those who are not. When you find yourself in a dark wood, know that you have a journey through Hell ahead of you, so that you can reach paradise.